The Rise of Cheddar TV: Building Business News for the Streaming Generation
By Cheval John | Vallano Media
This article was created with the assistance of artificial intelligence.
The final version was reviewed, edited and fact-checked by the author

Graphics created with AI-assisted design tools.
Visual concepts, editorial direction, composition, and final creative decisions were developed by Vallano Media.
When ESPN launched in 1979, the idea of dedicating an entire television network to sports was still a gamble.
The network ultimately demonstrated something important about specialized media: a passionate audience could support a destination built around its interests.
Nearly four decades later, entrepreneur Jon Steinberg made a different kind of media bet.
In 2016, Steinberg launched Cheddar, a digital-first business news network designed around the viewing habits of younger audiences.
Rather than trying to beat established financial networks such as CNBC and Bloomberg at the traditional cable television game, Cheddar built its strategy around an emerging reality: people were increasingly consuming video through streaming platforms, smartphones, computers, and social media.
Cheddar did not invent streaming, of course.
But it recognized early that changing distribution could create an opening in an established media industry.
That makes its rise more than a story about financial journalism.
It is a business case study about finding an underserved audience, building around changing consumer behavior, and understanding that distribution can sometimes be as important as the content itself.
It also has an interesting parallel in sports media.
Finding an Opportunity in an Established Market
Before founding Cheddar, Steinberg had already accumulated significant experience in digital media, including serving as president and chief operating officer of BuzzFeed and later leading Daily Mail North America.
That experience gave him a front-row view of changing audience habits.
With Cheddar, he bet that younger viewers could be reached with business news designed around digital distribution rather than the traditional cable model.
The network still covered financial markets, but its editorial universe stretched beyond stock prices and quarterly earnings.
Technology, startups, venture capital, entrepreneurship, media, consumer products, and innovation became important parts of the programming.
That distinction mattered.
Someone didn’t necessarily need to be an active stock trader to care about the next technology company, an emerging consumer brand, or an entrepreneur building a startup.
Cheddar was essentially broadening the definition of who might be interested in business television.
Built for Streaming From the Beginning
One of Cheddar’s most important advantages was that digital distribution wasn’t something added years after the network launched.
It was fundamental to the original concept.
Cheddar distributed programming through streaming services, connected television platforms, social media, and other digital outlets.
By the time Altice USA announced its acquisition of Cheddar in 2019, the company’s reach had become substantial.
Altice said Cheddar was available in approximately 40 million pay-TV homes, distributed through virtual television services including YouTube TV and Sling TV, and available through free streaming platforms including Pluto TV and the Roku Channel.
Altice also reported that Cheddar’s content generated more than 400 million monthly video views across social platforms at the time.
Those figures came from the acquiring company rather than an independent audience audit, but they illustrate how aggressively Cheddar had expanded beyond a conventional television channel.
The strategy was simple: don’t make the audience come looking for you.
Go where the audience already is.
Credibility in a New Format
Being digital-first did not mean abandoning the symbols associated with traditional financial journalism.
Cheddar established a major broadcasting presence on the floor of the New York Stock Exchange.
It also expanded its New York production footprint to locations including Nasdaq MarketSite and the Flatiron Building.
That was smart branding.
The NYSE gave a young streaming network an immediate visual connection to Wall Street, while Cheddar’s presentation, graphics, subject matter, and distribution strategy signaled that it wasn’t trying to recreate traditional financial television.
It wanted credibility without looking old.
That balance helped establish a recognizable identity in an industry already occupied by much larger competitors.
Where Sports Media Enters the Story
This is where Cheddar becomes especially interesting from a sports media perspective.
Cheddar did not create the streaming transformation in sports, nor did sports organizations simply copy its strategy.
The connection is more useful than that: both illustrate how media businesses responded to audiences gaining more control over where, when, and how they consumed content.
Sports organizations have faced many of the same questions.
What happens when fans no longer depend on one television package?
What happens when highlights are consumed on phones?
What happens when fans want interviews, documentaries, analysis, behind-the-scenes material, and live events across multiple platforms?
The answer increasingly has been for leagues, conferences, teams, and broadcasters to think beyond the traditional television channel.
Cheddar was confronting essentially the same distribution problem in business journalism.
It recognized that producing the content was only part of the job.
Making that content accessible was another part entirely.
Video Courtesy of Chat Sports YouTube Channel
Distribution as a Business Strategy
That distinction is easy to overlook.
A company can produce excellent journalism, a university can produce an excellent sporting event, and an independent creator can produce an excellent video.
None of that guarantees an audience will find it.
Distribution determines how easily that product travels.
Cheddar treated distribution as part of the product itself.
That approach helped the network appear in numerous places rather than depending on viewers developing one particular viewing habit.
For sports organizations, the comparison is particularly relevant because media distribution has become inseparable from the sports business.
Streaming services, conference networks, direct-to-consumer products, social media clips, team-produced documentaries, and athlete-created content all compete for a fan’s limited attention.
The platforms may be different, but the underlying business question remains remarkably similar:
Where is the audience, and how do we make it easier for them to reach us?
The $200 Million Milestone
Cheddar’s growth eventually attracted a much larger media company.
In June 2019, Altice USA completed its acquisition of Cheddar for $200 million, subject to customary closing adjustments.
For a company founded only three years earlier, the transaction represented a remarkable milestone.
It also provided evidence that digital-first distribution and a differentiated audience could create substantial business value even in a market dominated by established television networks.
But the acquisition was not the end of Cheddar’s story.
In April 2021, around the network’s fifth anniversary, the brand became Cheddar News.
By then, its coverage extended across business, technology, media, culture, politics, and other areas.
The evolution showed that Cheddar itself was continuing to change.
And that leads to perhaps the most important lesson in the entire story.
Being Early Doesn’t Mean You Can Stop Adapting
The media environment Cheddar entered in 2016 became dramatically more competitive.
Streaming services multiplied.
Podcasts became major sources of business information.
YouTube creators built their own media brands.
Newsletters gave individual writers direct access to audiences.
Social platforms turned entrepreneurs, executives, athletes, and analysts into publishers themselves.
Traditional media companies also became much more aggressive about streaming and digital distribution.
In other words, some of the characteristics that made Cheddar unusual in 2016 became increasingly normal.
That’s one of the paradoxes of innovation.
A company can correctly identify the future and still have to compete once everyone else arrives there.
Cheddar’s ownership changed again in December 2023 when Altice USA sold Cheddar News to Archetype.
Financial terms of that transaction were not disclosed.
The sale shouldn’t erase what Cheddar accomplished, nor should its earlier $200 million acquisition be treated as proof that the original model was permanently solved.
Together, those events tell a more useful business story.
Innovation creates an advantage.
It does not guarantee that the advantage lasts forever.
What Content Creators Can Learn From Cheddar
There are several lessons here for independent publishers, entrepreneurs, and digital creators.
The first is to look for audiences established competitors may be underserving.
Cheddar did not need every CNBC or Bloomberg viewer to switch networks.
It needed to establish a meaningful audience of its own.
Second, distribution deserves nearly as much thought as production.
Publishing an article isn’t a distribution strategy.
Neither is uploading a video and hoping people discover it.
Search, social media, newsletters, streaming platforms, partnerships, and direct audience relationships can all extend the life of the original content.
Third, differentiation matters.
Cheddar didn’t establish itself by simply becoming a smaller CNBC.
Its younger presentation, technology coverage, startup focus, and streaming-first distribution gave viewers a reason to understand the brand differently.
Finally, adaptation never ends.
The strategy that differentiates a company today may become standard industry practice tomorrow.
The Sports Business Lesson
That last lesson may be especially important in sports.
A league might sign an innovative streaming agreement.
A conference might build a successful digital network.
A university might develop an impressive in-house production operation.
But technology continues moving.
Audience habits continue changing.
The next distribution model eventually arrives.
That means the goal cannot simply be to “go digital” or “start streaming.”
Those are tools, not permanent strategies.
The deeper objective is understanding how the audience behaves and being willing to change as those behaviors change.
That was the opportunity Cheddar recognized in 2016.
Cheddar’s Story Is Still Being Written
Cheddar did not disappear after the 2023 ownership change.
The brand has continued operating and expanding its streaming distribution, remaining focused on areas including business, technology, finance, and innovation.
That makes Cheddar more interesting than a simple rise-and-fall story.
It began as a startup challenging assumptions about financial television.
Within three years, it was acquired for $200 million.
It subsequently expanded its editorial identity, changed ownership again, and continued operating in a media industry that looks considerably different from the one it entered.
Its trajectory illustrates both sides of disruption.
Recognizing change early can create enormous opportunity.
But eventually, everyone else recognizes the change too.
Final Thoughts
Cheddar’s rise was never simply about creating another financial news channel.
It was about recognizing that the relationship between audiences and media was changing.
The company understood that younger viewers could be interested in business, technology, entrepreneurship, and finance without consuming those subjects in the same way previous generations had.
And in that sense, its story connects naturally with sports.
Sports fans didn’t suddenly stop caring about sports when their viewing habits changed.
Business audiences didn’t suddenly stop caring about business when they moved away from traditional television.
The audience didn’t disappear.
The audience moved.
Cheddar’s bet was to move with it.
That remains a valuable lesson for media companies, sports organizations, entrepreneurs, and independent publishers today.
Getting ahead of the next change matters.
Understanding that you’ll eventually have to change again may matter even more.

Graphics created with AI-assisted design tools.
Visual concepts, editorial direction, composition, and final creative decisions were developed by Vallano Media.
How Southland Conference Television Network Changed the Game for Smaller Conferences
By Cheval John | Vallano Media
This article was created with the assistance of artificial intelligence.
The final version was reviewed, edited and fact-checked by the author

Graphics created with AI-assisted design tools.
Visual concepts, editorial direction, composition, and final creative decisions were developed by Vallano Media.
For decades, college sports television followed a familiar hierarchy.
The biggest conferences received the biggest opportunities.
Their football and basketball games filled national television schedules, increasing exposure for universities and strengthening already recognizable brands.
Smaller conferences faced a different challenge.
They could have competitive teams, passionate supporters and compelling stories, but getting those games in front of viewers was more difficult.
National television provided opportunities, but smaller conferences could not depend on major networks to show everything they wanted their fans to see.
The Southland Conference decided to build another option.
In 2008, it launched the Southland Conference Television Network, creating an in-house television operation that would run through 2014.
Southland was not operating without major media relationships.
ESPN was already a conference partner.
Instead, Southland added its own television operation to increase distribution and showcase its member institutions.
The conference was not waiting for television to solve its visibility problem.
It was helping solve the problem itself.
Build Where Your Audience Already Exists
Launching a television network required Southland to take on responsibilities normally associated with media companies.
Games had to be selected and produced.
Broadcast crews and on-air talent were needed.
Affiliates had to be secured.
Sponsors needed inventory.
Fans needed to know when and where they could watch.
For a conference without the resources of college athletics’ largest leagues, trying to create a national network would have been unrealistic.
Southland instead concentrated on something it understood well: its geographic audience.
When the network launched, the conference assembled television affiliates in markets including Houston, Baton Rouge, Shreveport, Alexandria, Lake Charles, Little Rock and Tyler.
Those markets were connected to Southland institutions and their supporters.
Rather than asking how to convince everyone in America to watch Southland athletics, the conference could answer a much more practical question:
How do we make our games easier to watch for people who already have a reason to care?
The strategy grew.
By 2011, Southland said its television network had expanded to 21 markets with a potential reach of approximately 10 million television households, particularly across its Texas, Louisiana and Arkansas footprint.
It was a straightforward regional media strategy: identify the core audience, serve it well and expand from there.
Video Courtesy of Southland Conference YouTube Channel
Regional Television Was Only Part of the Plan
Southland did not limit itself to local television stations.
Selected programming received broader distribution through Fox College Sports, giving the conference exposure outside its primary regional markets.
The conference was also experimenting with another form of distribution that would eventually transform sports media: Streaming.
In 2008, live Southland Television Network game broadcasts were also simulcast through SLC NOW, the conference’s online video and audio service.
That does not mean Southland invented the streaming strategy that dominates sports today.
Other organizations were also experimenting with online video as broadband technology improved.
But Southland was using the tools available at the time in a way that looks remarkably familiar today.
Regional television reached the conference’s core markets.
Fox College Sports provided broader distribution for selected programming.
SLC NOW offered an internet option.
The technology has changed dramatically since 2008, but the underlying idea has not: Meet your audience where it is.
The network also gave Southland more opportunities to determine which stories received attention.
In addition to live competition, programming such as Inside the Southland Conference provided another way to showcase the league, its athletes and member institutions.
Southland did not need to become ESPN.
It needed more ways to reach Southland fans.
Then the Media Landscape Changed
By 2015, Southland’s distribution strategy was ready for another change.
This part of the history is important because ESPN did not suddenly discover Southland after the conference spent six years operating its own television network.
The two organizations already had a relationship.
When Southland announced a new five-year multimedia agreement with ESPN in July 2015, the conference described it as its third consecutive five-year agreement with ESPN.
The new arrangement expanded ESPN’s role, including first-selection rights to Southland home events, as digital distribution became increasingly important to college athletics.
There is no documented evidence that operating the Southland Conference Television Network directly caused ESPN to expand its agreement.
There does not need to be.
The network’s accomplishments stand on their own.
From 2008 through 2014, Southland’s in-house operation produced more than 170 unique sports and promotional telecasts.
Its distribution ultimately reached a potential audience exceeding 13 million television households.
The conference built an affiliate network around its geographic footprint, gained additional distribution through Fox College Sports and streamed its broadcasts through SLC NOW.
When the media environment changed, Southland changed with it.
A Platform Is a Tool, Not the Mission
That transition provides perhaps the most useful business lesson from the entire story.
Organizations sometimes become attached to something because they built it themselves.
But owning your distribution does not mean you must own every part of it forever.
The Southland Conference Television Network made sense in the environment in which it was created.
It provided additional access to games and gave the conference more control over how its institutions were presented.
As digital sports distribution expanded, partnering more extensively with ESPN offered another path.
Southland adapted.
That does not make the television network a failure, nor does the ESPN agreement retroactively prove the network was a success.
It demonstrates something simpler:
A platform is a tool, not the mission.
The platform was the Southland Conference Television Network.
The mission was finding better ways to connect Southland athletics with the people who wanted to watch it.
Businesses face similar decisions.
A company might initially build its own technology before eventually adopting a larger platform.
A creator might develop an independent audience before partnering with a media company.
A small business might sell directly to customers before adding a national distributor.
Changing the method does not necessarily mean abandoning the strategy.
Sometimes it means the strategy is evolving.
Know Who You Are Trying to Reach
Southland’s regional approach provides another lesson that remains relevant well beyond college athletics.
Not every organization needs everyone.
Southland did not need the television audience of the SEC or Big Ten for its network to create value.
It needed to reach people with a connection to Southland institutions.
The same principle applies to smaller businesses and independent media organizations.
Growth does not always begin by chasing the largest possible audience.
Sometimes it begins by serving a smaller, clearly defined audience exceptionally well.
Southland understood where its natural audience lived and built distribution around it.
Then it expanded where opportunities made sense.
Final Thoughts
The Southland Conference Television Network lasted only six years, but longevity is not the only measure of whether a strategy mattered.
Southland identified a problem: its institutions needed more visibility and its fans needed more opportunities to watch them.
The conference responded by producing its own broadcasts, developing regional television relationships, expanding selected programming through Fox College Sports and streaming games through SLC NOW.
Then the marketplace changed.
Southland changed with it.
That is what makes this story relevant nearly two decades later.
Organizations do not control every opportunity available to them.
They do control whether they simply wait for those opportunities or find creative ways to build something themselves.
Build what makes sense to build.
Know the audience you are trying to serve.
Partner where partnership creates greater reach.
And when the marketplace changes, be willing to change with it.
The Southland Conference Television Network disappeared.
The strategy behind it never really did.

Graphics created with AI-assisted design tools.
Visual concepts, editorial direction, composition, and final creative decisions were developed by Vallano Media.
How the ACC Network Built Its Business Before It Ever Launched
By Cheval John | Vallano Media
This article was created with the assistance of artificial intelligence.
The final version was reviewed, edited and fact-checked by the author

Graphics created with AI-assisted design tools.
Visual concepts, editorial direction, composition, and final creative decisions were developed by Vallano Media.
When the ACC Network officially launched on August 22, 2019, fans finally had a 24-hour television home dedicated to Atlantic Coast Conference athletics.
The new channel joined an increasingly important group of conference-specific media networks, offering live competition, studio programming, documentaries, analysis and year-round ACC coverage.
To many viewers, August 22 was the beginning.
From a business perspective, however, the ACC Network had been under construction for years.
The Atlantic Coast Conference and ESPN did not wait until the television channel was ready before developing the infrastructure and digital presence behind it.
Instead, the rollout began years earlier, providing member schools with time to develop production capabilities while giving fans considerably more ACC content through ESPN’s digital platforms.
That makes the ACC Network an interesting business case beyond college athletics.
Sometimes the smartest way to launch something new is to start building the system around it before the finished product ever reaches the public.
The Network Started Digitally
The strategy became public in July 2016, when the ACC and ESPN announced plans for a dedicated ACC Network scheduled to launch in 2019.
But there was another important part of that announcement.
ACC Network Extra, or ACCNX, would begin in August 2016 through ESPN’s digital platforms.
The ACC described the digital service as the “initial phase” of the eventual ACC Network.
That distinction matters.
The ACC wasn’t announcing a television network and then asking fans to wait three years for something to happen.
The digital component of the strategy was beginning almost immediately.
At launch, ACC Network Extra was expected to carry more than 600 exclusive live events, with that inventory growing as the conference moved closer to the television network’s debut.
Fans could find ACC competition that extended well beyond the football and men’s basketball games traditionally associated with major college sports television.
Baseball, softball, volleyball, soccer and numerous Olympic sports could become part of a much larger digital inventory.
For fans, that meant more opportunities to follow their schools.
For the conference and its universities, it meant something else: they had three years to develop experience producing the enormous amount of programming a conference network would eventually require.
Streaming Became Part of the Foundation
ACC Network Extra gave member institutions years of experience producing live events before the linear network arrived.
That experience became increasingly important as August 2019 approached.
ESPN worked with school production staffs in preparation for the demands of the new network, with Sports Video Group reporting at the time of the launch that ESPN had spent roughly 18 months training personnel across the conference.
Schools weren’t simply waiting for ESPN to arrive with television trucks every time an event needed to be produced.
The campuses themselves were becoming an important part of the production system.
That changed the scale of what the ACC could offer.
A conference with numerous universities and dozens of sports could produce far more programming if production capabilities existed throughout the conference instead of being concentrated in one central location.
Streaming therefore represented more than another place to put games.
It became part of the infrastructure behind the eventual television network.
Every Stream Increased Familiarity
There was another potential benefit to starting digitally.
Every streamed baseball game, volleyball match, soccer contest or other ACC event gave fans another opportunity to interact with conference athletics through ESPN’s digital ecosystem.
We should be careful not to claim that ACC Network Extra automatically created the audience that later watched ACC Network.
Public evidence does not establish that direct causal relationship.
What we can say is that the conference had an established digital product years before the linear channel debuted.
That meant the ACC Network wasn’t arriving in 2019 without a digital history behind it.
Fans had already been offered hundreds of ACC events through ACCNX, while universities had accumulated years of experience creating that programming.
The television network would eventually make the ACC’s media operation much larger.
But the foundation was already being built.
Building the Network Before Turning It On
While fans watched ACC events online, another transformation was taking place behind the scenes.
ACC campuses were becoming production centers.
Every Campus Became Part of the Network
Launching a national sports network required considerably more than building a studio at ESPN headquarters.
Member institutions needed the ability to contribute live programming themselves.
Universities invested in cameras, control rooms, replay systems, graphics technology, connectivity and other equipment necessary for producing broadcasts.
Those facilities helped create a distributed production operation capable of supporting the enormous programming inventory envisioned for ACC Network and ACC Network Extra.
The investments also had an educational benefit.
Students interested in broadcasting, journalism, communications and sports media could gain hands-on experience working on live productions.
The ACC later highlighted student employment opportunities among the benefits created by the network, while individual universities developed production environments where students could learn alongside professionals.
That makes the campus component especially interesting from a business standpoint.
The ACC wasn’t merely expanding distribution.
It was developing production capacity throughout its organization.
Building Excitement Before Launch Day
As August 2019 approached, ESPN increased promotion of the new network.
Programming announcements introduced viewers to studio shows, documentaries, football coverage and other original content.
The network’s launch week was promoted as an event itself, culminating with the channel going live at 7 p.m. Eastern on August 22.
But having programming ready did not solve one of the biggest challenges facing any television network.
Fans still needed a way to receive it.
The Distribution Battle
Distribution became one of the most visible business stories surrounding the ACC Network’s launch.
ESPN negotiated with cable, satellite and streaming providers to add the channel to their services.
Some agreements were secured well ahead of launch, while others came remarkably close to opening night.
Charter Communications reached an agreement that brought ACC Network to Spectrum customers on August 14, 2019—only eight days before launch.
And the distribution story didn’t end when the channel went live.
Cox Communications announced an agreement to carry ACC Network on September 4, almost two weeks after the network had debuted.
For some fans, therefore, August 22 wasn’t necessarily the day they gained access.
That provides one of the clearest business lessons in the entire story.
Content and distribution are separate problems.
You can create a strong product, build infrastructure and generate interest, but customers still need a practical way to reach what you’re selling.
A Long-Term Investment
The ACC Network required investments throughout the conference.
Universities developed production facilities and expanded their broadcasting capabilities.
ESPN committed resources to programming, production, talent, promotion and distribution.
The ACC later said the network produced increased revenue distributions for its institutions, but the broader value proposition went beyond one revenue figure.
The network provided another platform for ACC athletics, expanded the conference’s programming inventory and created additional opportunities to showcase member institutions throughout the year.
Video Courtesy of ACC Digital Network YouTube Channel
The years leading to 2019 therefore weren’t simply a countdown to opening night.
They were the construction of the operation behind it.
Launch Night Finally Arrives
At 7 p.m. Eastern on August 22, 2019, ACC Network officially went live.
Its launch programming introduced the network through studio coverage, conference personalities, original programming and previews of the upcoming season.
But the channel wasn’t starting from zero.
ACC Network Extra had existed since 2016.
Schools had spent years developing production capabilities.
ESPN had worked with campus staffs to prepare for live television.
Distribution agreements had been negotiated across multiple providers, with some negotiations continuing after launch.
August 22 was an important milestone.
But much of the business behind the network had already been built.
The Business Lessons Behind the Launch
The scale of the new operation became clearer once ACC Network arrived.
At launch, ESPN projected that ACC Network and ACC Network Extra would combine to carry approximately 1,350 events during the network’s first year.
Football and men’s basketball naturally remained important parts of the network, but that enormous inventory created room for much more.
Baseball.
Softball.
Women’s basketball.
Soccer.
Volleyball.
Lacrosse.
Field hockey.
Wrestling.
Swimming and diving.
Tennis.
And other ACC championship sports.
For universities, the network provided a year-round platform capable of showcasing far more of an athletic department than its highest-profile teams.
A Potential Recruiting Tool
Additional exposure could also become part of the recruiting conversation.
It would go too far to claim that ACC Network broadly improved recruiting throughout the conference without evidence demonstrating that outcome.
There is, however, evidence that schools recognized recruiting value in the infrastructure surrounding the network.
Around the time of the launch, Georgia Tech officials discussed how their new ACC Network production facility could assist recruiting in multiple ways.
The logic isn’t difficult to understand.
Prospective student-athletes and their families could see more competitions, while universities could point to their media facilities and the increased availability of their sports through ESPN platforms.
Rather than calling ACC Network a proven conference-wide recruiting advantage, it is more accurate to describe visibility and production capabilities as additional tools schools could incorporate into recruiting.
That distinction matters.
Build the System Before the Launch
The biggest business lesson from ACC Network may have little to do with television.
Organizations often concentrate their attention on launch day.
The ACC’s rollout demonstrates another approach.
Start building the system first.
The digital component began in 2016.
Campus production capabilities developed over several years.
Students and professional production staffs gained experience.
ESPN worked with universities in preparation for television production.
Programming was developed.
Distribution agreements were negotiated.
Then came August 22, 2019.
That sequence provides a useful framework for entrepreneurs and small businesses as well.
A new business doesn’t necessarily need to wait for the perfect website before demonstrating expertise.
A future podcast can begin developing an audience through written content.
A company preparing a new service can start educating potential customers about the problem that service will eventually solve.
A media organization planning a larger product can experiment with smaller forms of content first.
The scale may be completely different from ESPN and the ACC.
The principle isn’t.
The Long Game
The ACC Network officially launched on August 22, 2019.
But focusing only on that date misses the most interesting part of the story.
Three years earlier, the conference and ESPN had already begun the digital phase through ACC Network Extra.
Universities then spent years building production capabilities.
ESPN helped prepare campus personnel for the demands of the television network.
Meanwhile, the business of securing distribution continued right through launch and, in some cases, afterward.
None of that guarantees that every later success of ACC Network was caused by its pre-launch strategy.
That’s not the argument.
The more defensible—and more useful—lesson is that the ACC and ESPN did not wait until launch day to begin building the operation.
They developed infrastructure.
They created programming.
They accumulated production experience.
They established a digital presence.
And then they expanded that foundation into a 24-hour television network.
For businesses, that’s the lesson worth remembering.
The public may remember the day your product launches.
But the work that determines whether you’re prepared for that day usually happens long before anyone is watching.
The ACC Network played the long game.
And its business was being built years before the television network ever turned on.

Graphics created with AI-assisted design tools.
Visual concepts, editorial direction, composition, and final creative decisions were developed by Vallano Media.
Vicki O’Neill: Host of Connect The Dots Podcast
By Cheval John
Podcasting is still an important medium to get your message out to the world.
According to these statistics compiled by Convince and Convert:
75% of Americans are Now Familiar with Podcasting. …
55% of Americans Have Listened to a Podcast. …
Podcast Listeners Have Grown 37.5% in 3 Years. …
37% of Americans Listen to Podcasts Monthly. …
Monthly Podcast Listeners Have Grown 54% in 3 Years. …
Half of Americans Ages 12-34 Listen to Podcasts Monthly.
Podcasting is still the lowest medium out there because they are about 500 million blogs in the world.
The blogosphere is over saturated.
If have a blog, it can be very difficult to find the right audience because it seems like everyone is talking about the same topic.
Combine it with a podcast and you have a much better chance to grow your business.
Vicki O’Neill took advantage and started her own podcast, Connect The Dots, which interviews business leaders on marketing strategies.
I had the opportunity to interview her on What’s The Word? to find out what led her to start her own podcast and how entrepreneurship helped her to be a better business professional.

How 162 Baseball Games Made Regional Networks Essential to Fan Loyalty
By Cheval John | Vallano Media

This article was created with the assistance of artificial intelligence.
The final version was reviewed, edited and fact-checked by the author
Graphics created with AI-assisted design tools.
Visual concepts, editorial direction, composition, and final creative decisions were developed by Vallano Media.
For six months, millions of fans experience baseball primarily through the teams they follow.
Then October arrives.
The postseason becomes a much more national experience.
The biggest games move onto national television and streaming platforms.
Storylines that have developed locally throughout the season suddenly become part of a national conversation.
That contrast helps explain something important about baseball’s media business.
National coverage gives Major League Baseball (MLB) enormous reach.
But the sport’s unusually long regular season created an environment in which regional coverage could become particularly important for frequency, familiarity and fan engagement.
Baseball does not just provide games.
It provides a relationship that can be renewed almost every day.
162 Opportunities to Matter
An NFL team currently plays 17 regular-season games.
A Major League Baseball team plays 162.
That difference changes the media equation.
Baseball teams play throughout the week, sometimes for nearly two straight weeks without a day off.
Fans can spend an entire summer following the same broadcasters, players, coaches and storylines.
One Tuesday night in June may not attract a massive national audience.
To a fan following that team every day, however, it is another chapter in a season-long story.
Was the starting pitcher able to recover from his previous outing?
Is a rookie beginning to establish himself?
Can the team survive an injury to a key player?
Will a struggling hitter finally break out of his slump?
Those stories accumulate.
And regional media was uniquely positioned to tell them.
That is why baseball became such a natural product for the regional sports network model.
National Reach and Regional Depth Are Different Products
This distinction matters.
The argument is not that national television is somehow unimportant to Major League Baseball.
National distribution gives MLB something regional coverage cannot: the ability to place its biggest games, stars and events in front of audiences far beyond an individual team’s market.
But regional coverage historically performed another job.
It could spend hours talking about one team.
Pregame shows could examine the night’s matchup.
Postgame coverage could break down what happened.
Original programming could explore franchise history, prospects, personalities and community stories.
National coverage is built for reach.
Regional coverage is built for frequency and depth.
Baseball needs both.
The difference is that a 162-game schedule gives regional coverage an extraordinary amount of material with which to build that relationship.
When the Broadcaster Becomes Part of the Team Experience
There is another element that is difficult to measure simply by looking at television rights agreements.
Familiarity matters.
When fans hear the same broadcasters night after night, those voices can become associated with the team itself.
The broadcast is no longer simply a mechanism for delivering a sporting event.
It becomes part of the experience of following the franchise.
That helps explain why regional sports networks became so valuable to baseball organizations.
They were not simply purchasing inventory consisting of 162 baseball games.
They were gaining access to months of recurring attention from a defined audience.
For a business, that is an enormously powerful proposition.
Instead of asking, “How many people can we reach tonight?” the model also allowed teams and networks to ask another question:
How often can we matter to the people who already care?
That question would eventually help turn some baseball franchises into sophisticated media businesses of their own.
When Baseball Teams Became Media Brands
Perhaps no example illustrates the potential of regional baseball media better than the New York Yankees.
The YES Network launched on March 19, 2002.
Today, YES says it owns the exclusive regional media rights to the Yankees and Brooklyn Nets.
Its ownership includes Yankee Global Enterprises alongside Main Street Sports, Amazon, RedBird Capital, Blackstone’s Tactical Opportunities business and Mubadala Capital.
That ownership structure is important.
YES should not simply be described as a television network wholly owned by the Yankees.
The more interesting business story is that the Yankees helped demonstrate how a franchise could hold a significant stake in the media operation built around its own content.
And the content extends well beyond nine innings.
YES carries Yankees pregame and postgame programming, spring training games and original Yankees-focused shows in addition to game broadcasts.
The baseball team supplies the central product.
The media operation expands the world around it.
Boston Shows How the Model Can Evolve
The New England Sports Network (NESN) provides another useful example.
NESN is owned by Fenway Sports Group, owner of the Boston Red Sox, and Delaware North, owner of the Boston Bruins.
But what makes NESN especially relevant now is how far it has moved beyond the traditional definition of a regional cable channel.
NESN and NESN+ still serve the six-state New England region, but fans can also access the network through NESN 360 via direct subscription or television authentication.
NESN also operates a national service and a free ad-supported streaming channel.
That evolution matters.
The regional relationship survived even as the method of distribution changed.
A fan does not necessarily need the same cable package that would have been required two decades ago to have a regional sports relationship with the Red Sox.
The technology evolved.
The demand for team-specific coverage remained.
The Cubs Provide an Even Newer Example
The Marquee Sports Network offers a more recent version of the same strategy.
Marquee is a joint venture between the Chicago Cubs and Sinclair and serves as the exclusive home of Cubs broadcasts.
It now distributes Cubs coverage through its linear television network as well as direct-to-consumer and streaming options.
Again, the interesting story is not simply that the Cubs have their own regional network.
It is that the definition of a regional network is changing.
A regional sports network once meant a channel buried somewhere inside a cable package.
Increasingly, it can mean an ecosystem.
Linear television.
Streaming.
Mobile access.
Original programming.
Social content.
On-demand viewing.
Different technologies can serve the same underlying purpose: keeping a fan connected to a particular team.
The Business Lesson Was Bigger Than Baseball
This is where MLB’s regional media history becomes useful outside sports.
Businesses frequently become obsessed with total reach.
How many impressions?
How many followers?
How many views?
Those numbers matter, but they do not tell the entire story.
Regional baseball networks built their businesses around a different type of value: repeated interaction with a highly interested audience.
They were not trying to convince everyone in America to watch the Cubs, Yankees or Red Sox every night.
They were serving the people who already cared about those teams and giving them reasons to return.
That is an important distinction.
A niche audience is not necessarily a small opportunity.
If the audience cares deeply enough and returns frequently enough, specialization itself can become an advantage.
But the regional sports network business eventually ran into a major problem.
The audience relationship remained valuable.
The economic structure supporting it began to crack.
The Cable Model Cracked. The Regional Relationship Didn’t.
The story of regional sports networks could easily be mistaken for a story about decline.
Cord-cutting weakened the traditional television bundle.
Distribution disputes became increasingly visible.
Some fans struggled to find or afford their local team’s games.
Then came one of the biggest disruptions in regional sports television.
Diamond Sports Group, the company that operated the Bally Sports regional networks, filed for bankruptcy protection in 2023.
But stopping the story there would now be misleading.
In November 2024, a bankruptcy court approved Diamond’s restructuring plan.
The company subsequently moved forward under the FanDuel Sports Network branding.
Reuters reported that the restructuring reduced Diamond’s debt from nearly $9 billion to approximately $200 million while the company reached revised arrangements involving several MLB teams.
That distinction is critical.
The financial crisis demonstrated serious weaknesses in the traditional RSN business model.
It did not demonstrate that fans suddenly stopped wanting local baseball coverage.
The problem was increasingly about how that coverage was packaged, distributed and financed.
Video Courtesy of S&P Global Market Intelligence YouTube Channel
MLB’s National Strategy Is Changing Too
At the same time, Major League Baseball’s national media strategy is also evolving.
Beginning with the 2026 season, MLB entered new three-year national media agreements with ESPN, NBCUniversal and Netflix covering the 2026 through 2028 seasons.
Under those agreements, ESPN acquired MLB.TV and a midweek game package.
NBCUniversal obtained Sunday packages and the Wild Card round, while Netflix added the Home Run Derby and selected special events.
The change is visible immediately this postseason.
The 2026 regular season ends Sunday, September 27.
Two days later, on September 29, all four Wild Card Series begin with national coverage through NBC, Peacock and NBC Sports Network.
That transition almost perfectly illustrates baseball’s two media worlds.
For 162 games, fans largely experience their teams through an accumulation of local and regional stories.
Then the postseason arrives and those stories are presented to a much broader national audience.
One model does not eliminate the need for the other.
They complement each other.
Streaming Doesn’t Eliminate Regionalism
There is a temptation to describe streaming as the replacement for regional sports networks.
That misses the larger point.
Streaming is primarily a distribution technology.
Regionalism describes the audience relationship.
The two can coexist.
NESN can remain focused on New England while offering NESN 360.
Marquee can remain focused on Cubs fans while offering direct streaming access.
YES can remain centered around Yankees coverage while its content moves across digital platforms.
In fact, YES announced in August 2026 that DAZN would become the exclusive direct-to-consumer streaming home for YES and MSG Networks beginning later that year.
That is not the disappearance of regional sports media.
It is regional sports media adapting to another distribution system.
What Baseball Can Teach Businesses About Audience Strategy
For businesses, there is a larger lesson hiding inside all of this.
Technology changes quickly.
Audience needs often change much more slowly.
A company can make the mistake of confusing the platform with the relationship.
Cable television was enormously important to regional sports networks, but cable itself was never the fundamental reason baseball fans wanted local coverage.
They wanted to follow their team.
They wanted familiar voices.
They wanted context that mattered specifically to them.
They wanted someone covering the ordinary Wednesday game in July with the understanding that, to that team’s fans, it was not ordinary at all.
That principle applies well beyond baseball.
A business may build an audience through a website today, a social platform tomorrow and some technology that does not yet exist a decade from now.
Those platforms are tools.
The relationship with the audience is the durable asset.
Final Thought: 162 Games, One Long Conversation
Four days ago, all 30 MLB teams have played their final games of the 2026 regular season.
Two days ago, the postseason began.
For the teams that advance, the audience becomes larger and the national spotlight becomes brighter.
But those postseason moments do not appear from nowhere.
They arrive after six months of games.
Six months of broadcasts.
Six months of injuries, debuts, winning streaks, slumps, trades, surprises and conversations.
Regional sports networks became important to baseball because they had the opportunity to tell that entire story.
The traditional RSN business model may never look exactly as it once did.
Cable bundles are changing.
Streaming is expanding.
Rights agreements are becoming more complicated.
But the fundamental audience demand remains remarkably familiar.
Fans still want to follow their team.
Night after night.
Game after game.
Season after season.
That is the business lesson hidden inside baseball’s 162-game schedule.
National exposure can make a team visible.
Sustained, relevant coverage can make that team part of someone’s routine.
The platform can change.
The relationship is the asset.
Sources and Further Reading
Major League Baseball — 2026 postseason schedule
Major League Baseball — 2026–28 national media agreements
YES Network — About YES
NESN — Network and streaming distribution
Marquee Sports Network — Cubs distribution and streaming expansion
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